[Far from the Madding Crowd by Thomas Hardy]@TWC D-Link book
Far from the Madding Crowd

CHAPTER IX
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CHAPTER IX.
THE HOMESTEAD--A VISITOR--HALF-CONFIDENCES By daylight, the bower of Oak's new-found mistress, Bathsheba Everdene, presented itself as a hoary building, of the early stage of Classic Renaissance as regards its architecture, and of a proportion which told at a glance that, as is so frequently the case, it had once been the memorial hall upon a small estate around it, now altogether effaced as a distinct property, and merged in the vast tract of a non-resident landlord, which comprised several such modest demesnes.
Fluted pilasters, worked from the solid stone, decorated its front, and above the roof the chimneys were panelled or columnar, some coped gables with finials and like features still retaining traces of their Gothic extraction.

Soft brown mosses, like faded velveteen, formed cushions upon the stone tiling, and tufts of the houseleek or sengreen sprouted from the eaves of the low surrounding buildings.

A gravel walk leading from the door to the road in front was encrusted at the sides with more moss--here it was a silver-green variety, the nut-brown of the gravel being visible to the width of only a foot or two in the centre.

This circumstance, and the generally sleepy air of the whole prospect here, together with the animated and contrasting state of the reverse facade, suggested to the imagination that on the adaptation of the building for farming purposes the vital principle of the house had turned round inside its body to face the other way.

Reversals of this kind, strange deformities, tremendous paralyses, are often seen to be inflicted by trade upon edifices--either individual or in the aggregate as streets and towns--which were originally planned for pleasure alone.
Lively voices were heard this morning in the upper rooms, the main staircase to which was of hard oak, the balusters, heavy as bed-posts, being turned and moulded in the quaint fashion of their century, the handrail as stout as a parapet-top, and the stairs themselves continually twisting round like a person trying to look over his shoulder.


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