[To Paris And Prison: Paris by Jacques Casanova de Seingalt]@TWC D-Link book
To Paris And Prison: Paris

CHAPTER IX
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It is the unquestionable effects of the power which fashion has over that amiable, clever, and lively nation.

If anything is astonishing, no matter how extravagant it may be, the crowd is sure to welcome it greedily, for anyone would be afraid of being taken for a fool if he should exclaim, "It is impossible!" Physicians are, perhaps, the only men in France who know that an infinite gulf yawns between the will and the deed, whilst in Italy it is an axiom known to everybody; but I do not mean to say that the Italians are superior to the French.
A certain painter met with great success for some time by announcing a thing which was an impossibility--namely, by pretending that he could take a portrait of a person without seeing the individual, and only from the description given.

But he wanted the description to be thoroughly accurate.

The result of it was that the portrait did greater honour to the person who gave the description than--to the painter himself, but at the same time the informer found himself under the obligation of finding the likeness very good; otherwise the artist alleged the most legitimate excuse, and said that if the likeness was not perfect the fault was to be ascribed to the person who had given an imperfect description.
One evening I was taking supper at Silvia's when one of the guests spoke of that wonderful new artist, without laughing, and with every appearance of believing the whole affair.
"That painter," added he, "has already painted more than one hundred portraits, and they are all perfect likenesses." Everybody was of the same opinion; it was splendid.

I was the only one who, laughing heartily, took the liberty of saying it was absurd and impossible.


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