[A Sappho of Green Springs by Bret Harte]@TWC D-Link bookA Sappho of Green Springs CHAPTER III 6/9
So she found herself again following Somers's cynical but good-humored description of the various guests, and, I fear, seeing with his eyes, listening with his ears, and occasionally participating in his superior attitude.
The "fearful joy" she had found in the novelty of the situation and the originality of the actors seemed now quite right from this critical point of view.
So she learned how the guest with the long hair was an unknown painter, to whom Rushbrook had given a commission for three hundred yards of painted canvas, to be cut up and framed as occasion and space required, in Rushbrook's new hotel in San Francisco; how the gray-bearded foreigner near him was an accomplished bibliophile who was furnishing Mr.Rushbrook's library from spoils of foreign collections, and had suffered unheard-of agonies from the millionaire's insisting upon a handsome uniform binding that should deprive certain precious but musty tomes of their crumbling, worm-eaten coverings; how the very gentle, clerical-looking stranger, mildest of a noisy, disputing crowd at the other table, was a notorious duelist and dead shot; how the only gentleman at the table who retained a flannel shirt and high boots was not a late-coming mountaineer, but a well-known English baronet on his travels; how the man who told a somewhat florid and emphatic anecdote was a popular Eastern clergyman; how the one querulous, discontented face in a laughing group was the famous humorist who had just convulsed it; and how a pale, handsome young fellow, who ate and drank sparingly and disregarded the coquettish advances of the prettiest Diva with the cold abstraction of a student, was a notorious roue and gambler.
But there was a sudden and unlooked-for change of criticism and critic. The festivity had reached that stage when the guests were more or less accessible to emotion, and more or less touched by the astounding fact that every one was enjoying himself.
This phenomenon, which is apt to burst into song or dance among other races, is constrained to voice itself in an Anglo-Saxon gathering by some explanation, apology, or moral--known as an after-dinner speech.
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