A surge of bitter feeling against the man who stood between her and Miltoun almost made her cry out.

That man had captured her before she knew the world or her own soul, and she was tied to him, till by some beneficent chance he drew his last breath when her hair was grey, and her eyes had no love light, and her cheeks no longer grew pale when they were kissed; when twilight had fallen, and the flowers, and bees no longer cared for her.
It was that feeling, the sudden revolt of the desperate prisoner, which steeled her to put out her hand, take up the paper, and give it to Miltoun.
When he had read the little paragraph, there followed one of those eternities which last perhaps two minutes.
He said, then: "It's true, I suppose ?" And, at her silence, added: "I am sorry." This queer dry saying was so much more terrible than any outcry, that she remained, deprived even of the power of breathing, with her eyes still fixed on Miltoun's face.
The smile of the old Cardinal had come up there, and was to her like a living accusation.

It seemed strange that the hum of the bees and flies and the gentle swishing of the limetree should still go on outside, insisting that there was a world moving and breathing apart from her, and careless of her misery.

Then some of her courage came back, and with it her woman's mute power.

It came haunting about her face, perfectly still, about her lips, sensitive and drawn, about her eyes, dark, almost mutinous under their arched brows.