The procession began with four-and-twenty mules, caparisoned in red, adorned with escutcheons bearing the duke's arms, laden with carved trunks and chests inlaid with ivory and silver; after them came four-and-twenty mare, also caparisoned, this time in the livery of the King of France, yellow and red; next after these came ten other mules, covered in yellow satin with red crossbars; and lastly another ten, covered with striped cloth of gold, the stripes alternately raised and flat gold.
Behind the seventy mules which led the procession there pranced sixteen handsome battle-horses, led by equerries who marched alongside; these were followed by eighteen hunters ridden by eighteen pages, who were about fourteen or fifteen years of age; sixteen of them were dressed in crimson velvet, and two in raised gold cloth; so elegantly dressed were these two children, who were also the best looking of the little band, that the sight of them gave rise to strange suspicions as to the reason for this preference, if one may believe what Brantome says.

Finally, behind these eighteen horses came six beautiful mules, all harnessed with red velvet, and led by six valets, also in velvet to match.
The third group consisted of, first, two mules quite covered with cloth of gold, each carrying two chests in which it was said that the duke's treasure was stored, the precious stones he was bringing to his fiancee, and the relics and papal bulls that his father had charged him to convey for him to Louis XII.

These were followed by twenty gentlemen dressed in cloth of gold and silver, among whom rode Paul Giordano Orsino and several barons and knights among the chiefs of the state ecclesiastic.
Next came two drums, one rebeck, and four soldiers blowing trumpets and silver clarions; then, in the midst of a party of four-and-twenty lacqueys, dressed half in crimson velvet and half in yellow silk, rode Messire George d'Amboise and Monseigneur the Duke of Valentinois.

Caesar was mounted on a handsome tall courser, very richly harnessed, in a robe half red satin and half cloth of gold, embroidered all over with pearls and precious stones; in his cap were two rows of rubies, the size of beans, which reflected so brilliant a light that one might have fancied they were the famous carbuncles of the Arabian Nights; he also wore on his neck a collar worth at least 200,000 livres; indeed, there was no part of him, even down to his boots, that was not laced with gold and edged with pearls.

His horse was covered with a cuirass in a pattern of golden foliage of wonderful workmanship, among which there appeared to grow, like flowers, nosegays of pearls and clusters of rubies.
Lastly, bringing up the rear of the magnificent cortege, behind the duke came twenty-four mules with red caparisons bearing his arms, carrying his silver plate, tents, and baggage.
What gave to all the cavalcade an air of most wonderful luxury and extravagance was that the horses and mules were shod with golden shoes, and these were so badly nailed on that more than three-quarters of their number, were lost on the road For this extravagance Caesar was greatly blamed, for it was thought an audacious thing to put on his horses' feet a metal of which king's crowns are made.
But all this pomp had no effect on the lady for whose sake it had been displayed; for when Dona Carlota was told that Caesar Bargia had come to France in the hope of becoming her husband, she replied simply that she would never take a priest far her husband, and, moreover, the son of a priest; a man who was not only an assassin, but a fratricide; not only a man of infamous birth, but still more infamous in his morals and his actions.
But, in default of the haughty lady of Aragon, Caesar soon found another princess of noble blood who consented to be his wife: this was Mademoiselle d'Albret, daughter of the King of Navarre.