[Elsie Venner by Oliver Wendell Holmes ,Sr.]@TWC D-Link bookElsie Venner CHAPTER VII 19/50
There had been a discussion about the necessity and propriety of inviting this family, the head of which kept a small shop for hats and boots and shoes.
The Colonel's casting vote had carried it in the affirmative .-- How terribly the poor old green de-laine did cut up in the blaze of so many lamps and candles. -- Deluded little wretch, male or female, in town or country, going to your first great party, how little you know the nature of the ceremony in which you are to bear the part of victim! What! are not these garlands and gauzy mists and many-colored streamers which adorn you, is not this music which welcomes you, this radiance that glows about you, meant solely for your enjoyment, young miss of seventeen or eighteen summers, now for the first time swimming unto the frothy, chatoyant, sparkling, undulating sea of laces and silks and satins, and white-armed, flower-crowned maidens struggling in their waves beneath the lustres that make the false summer of the drawing-room? Stop at the threshold! This is a hall of judgment you are entering; the court is in session; and if you move five steps forward, you will be at its bar. There was a tribunal once in France, as you may remember, called the Chambre Ardente, the Burning Chamber.
It was hung all round with lamps, and hence its name.
The burning chamber for the trial of young maidens is the blazing ball-room.
What have they full-dressed you, or rather half-dressed you for, do you think? To make you look pretty, of course! Why have they hung a chandelier above you, flickering all over with flames, so that it searches you like the noonday sun, and your deepest dimple cannot hold a shadow? To give brilliancy to the gay scene, no doubt!--No, my clear! Society is inspecting you, and it finds undisguised surfaces and strong lights a convenience in the process. The dance answers the purpose of the revolving pedestal upon which the "White Captive" turns, to show us the soft, kneaded marble, which looks as if it had never been hard, in all its manifold aspects of living loveliness.
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