Heaven be praised! I certainly have stumbled on one of the brotherhood." "But," I said aloud, "if not in books, sir, where else am I to obtain information?
Nowadays one can hazard nothing in print without authority, and one may scarcely quote Shakespeare without citing chapter and verse.
This is the age of facts,--the age of facts, sir." "Well," said the old gentleman, with a pleasant smile, "if we meet again, perhaps, at least, I may direct your researches to the proper source of intelligence." And with that he buttoned his greatcoat, whistled to his dog, and departed.
It so happened that I did meet again with the old gentleman, exactly four days after our brief conversation in Mr.D--'s bookshop.

I was riding leisurely towards Highgate, when, at the foot of its classic hill, I recognised the stranger; he was mounted on a black pony, and before him trotted his dog, which was black also.
If you meet the man whom you wish to know, on horseback, at the commencement of a long hill, where, unless he has borrowed a friend's favourite hack, he cannot, in decent humanity to the brute creation, ride away from you, I apprehend that it is your own fault if you have not gone far in your object before you have gained the top.

In short, so well did I succeed, that on reaching Highgate the old gentleman invited me to rest at his house, which was a little apart from the village; and an excellent house it was,--small, but commodious, with a large garden, and commanding from the windows such a prospect as Lucretius would recommend to philosophers: the spires and domes of London, on a clear day, distinctly visible; here the Retreat of the Hermit, and there the Mare Magnum of the world.
The walls of the principal rooms were embellished with pictures of extraordinary merit, and in that high school of art which is so little understood out of Italy.

I was surprised to learn that they were all from the hand of the owner.

My evident admiration pleased my new friend, and led to talk upon his part, which showed him no less elevated in his theories of art than an adept in the practice.