It had been arranged for the purpose, early in the morning; its rich slabs of marble, all scratched by the heels of law clerks, supported a cage of carpenter's work of considerable height, the upper surface of which, within view of the whole hall, was to serve as the theatre, and whose interior, masked by tapestries, was to take the place of dressing-rooms for the personages of the piece.

A ladder, naively placed on the outside, was to serve as means of communication between the dressing-room and the stage, and lend its rude rungs to entrances as well as to exits.

There was no personage, however unexpected, no sudden change, no theatrical effect, which was not obliged to mount that ladder.

Innocent and venerable infancy of art and contrivances! Four of the bailiff of the palace's sergeants, perfunctory guardians of all the pleasures of the people, on days of festival as well as on days of execution, stood at the four corners of the marble table.
The piece was only to begin with the twelfth stroke of the great palace clock sounding midday.

It was very late, no doubt, for a theatrical representation, but they had been obliged to fix the hour to suit the convenience of the ambassadors.
Now, this whole multitude had been waiting since morning.