[The Origins of Contemporary France<br> Volume 6 (of 6) by Hippolyte A. Taine]@TWC D-Link book
The Origins of Contemporary France
Volume 6 (of 6)

CHAPTER III THE CLERGY
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Their attention is generally arrested by a detail which they interpret in a wrong way, and the mental image they carry away is merely a fragment or a caricature; basically, if they have come to see a magisterial work, it is most of all due to vanity and so that his spectacle, which some of them enjoy, should not remain the privileged of a few.

Nevertheless, however imperfect and confused their impressions, however false and ill-founded their judgments, they have learned something important and one true idea of their visit remains with them: of the various pictures of the world not one is painted by the imagination but from nature.[5349] Now, between this picture and that which the Catholic Church presents to them, the difference is enormous.

Even with rude intellects, or minds otherwise occupied, if the dissimilarity is not clearly perceived it is vaguely felt; in default of scientific notions, the simple hearsay caught on the wing, and which seem to have flickered through the mind like a flash of light over a hard rock, still subsists there in a latent state, amalgamating and agglutinating into a solid block until at length they form a massive, refractory sentiment utterly opposed to faith .-- With the Protestant, the opposition is neither extreme nor definitive.

His faith, which the Scriptures give him for his guidance, leads him to read the Scriptures in the original text and, hence, to read with profit, to call to his aid whatever verifies and explains an ancient text, linguistics, philology, criticism, psychology, combined with general and particular history; thus does faith lay hold on science as an auxiliary.

According to diverse souls, the role of the auxiliary is more or less ample it may accordingly adapt itself to the faculties and needs of each soul, and hence extend itself indefinitely, and already do we see ahead the time when the two collaborators, enlightened faith and respectful science, will together paint the same picture, or each separately paint the same picture twice in two different frames .-- With the Slavs and Greeks, faith, like the Church and the rite, is a national thing; creed forms one body with the country, and there is less disposition to dispute it; besides, it is not irksome; it is simply a hereditary relic, a domestic memorial, a family icon, a summary product of an exhausted art no longer well understood and which has ceased to produce.


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