[The Origins of Contemporary France Volume 6 (of 6) by Hippolyte A. Taine]@TWC D-Link bookThe Origins of Contemporary France Volume 6 (of 6) CHAPTER II 30/69
The first one is the monthly conference, which brings together the desservans cures at the residence of the oldest cure in the canton; each has prepared a study on some theme furnished by the bishopric, some question of dogma, morality or religious history, which he reads aloud and discusses with his brethren under the presidency and direction of the oldest cure, who gives his final decision; this keeps theoretical knowledge and ecclesiastical erudition fresh in the minds of both reader and hearers.
The other institution, almost universal nowadays, is the annual retreat which the priests in the diocese pass in the large seminary of the principal town. The plan of it was traced by Saint Ignatius; his Exercitia is still to-day the manual in use, the text of which is literally,[5277] or very nearly, followed.[5278] The object is to reconstitute the supernatural world in the soul, for, in general, it evaporates, becomes effaced, and ceases to be palpable under the pressure of the natural world.
Even the faithful pay very little attention to it, while their vague conception of it ends in becoming a mere verbal belief; it is essential to give them back the positive sensation, the contact and feeling.
To this end, a man retires to a suitable place, where what he does actively or passively is hourly determined for him in advance--attendance at chapel or at preaching, telling his beads, litanies, orisons aloud, orisons in his own breast, repeated self-examination, confession and the rest--in short, an uninterrupted series of diversified and convergent ceremonies which, by calculated degrees, drive out terrestrial preoccupations and overcome him with spiritual impressions; immediately around him, impressions of the same kind followed by the contagion of example, mutual fervor, common expectation, involuntary emulation, and that overstrained eagerness which creates its object; with all the more certainty that the individual himself works on himself, in silence, five hours a day, according to the prescriptions of a profound psychology, in order that his bare conception may take upon itself body and substance. What-ever may be the subject of his meditations, he repeats it twice the same day, and each time he begins by "creating the scene," the Nativity or the Passion, the Day of Judgment or Hell; he converts the remote and undefined story, the dry, abstract dogma, into a detailed and figured representation; he dwells on it, he evokes in turn the images furnished by the five senses, visual, audible, tactile, olfactory, and even gustatory; he groups them together, and in the evening he animates them afresh in order that he may find them more intense when he awakes the next morning.
He thus obtains the complete, precise, almost physical spectacle of his aspirations; he reaches the alibi, that mental transposition, that reversal of the points of view in which the order of certainties becomes inverted, in which substantial objects seem to be vain phantoms and the mystic world a world of substantial reality.[5279]--According to persons and circumstances, the theme for meditation differs, and the retreat is prolonged for a shorter or longer period.
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