[The Origins of Contemporary France Volume 5 (of 6) by Hippolyte A. Taine]@TWC D-Link bookThe Origins of Contemporary France Volume 5 (of 6) CHAPTER II 34/102
We did not appear to them, in doing what we were ordered to do, and we did not appear to ourselves, other than veritable machines, all resembling, or but little short of it, the elegant gilded arm-chairs with which the palaces of Saint-Cloud and the Tuileries had just been embellished." For a machine to work well it is important that the machinist should overhaul it frequently, which this one never fails to do, especially after a long absence.
Whilst he is on his way from Tilsit, "everybody anxiously examines his conscience to ascertain what he has done that this rigid master will find fault with on his return.
Whether spouse, family, or grand dignitary, each is more or less disturbed; while the Empress, who knows him better than any one, naively says, 'As the Emperor is so happy it is certain that he will do a deal of scolding!'"[1288] Actually, he has scarcely arrived when he gives a rude and vigorous wrench of the bolt; and then, "satisfied at having excited terror all around, he appears to have forgotten what has passed and resumes the usual tenor of his life." "Through calculation as well as from taste,[1289] he never ceases to be a monarch"; hence, "a mute, frigid court....
more dismal than dignified; every face wears an expression of uneasiness...
a silence both dull and constrained." At Fontainebleau, "amidst splendors and pleasures," there is no real enjoyment nor anything agreeable, not even for himself.
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