[The Origins of Contemporary France<br> Volume 5 (of 6) by Hippolyte A. Taine]@TWC D-Link book
The Origins of Contemporary France
Volume 5 (of 6)

CHAPTER I
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He retains and uses merely those which are intended to impress the personage whom he wishes to dazzle with a great idea of himself, such as Pius VII., or the Emperor Alexander.

In this case, his conversational tone is that of a caressing, expansive, amiable familiarity; he is then before the footlights, and when he acts he can play all parts, tragedy or comedy, with the same life and spirit whether he fulminates, insinuates, or even affects simplicity.

When he is with his generals, ministers, and principal performers, he falls back on the concise, positive, technical business style; any other would be harmful.

The keen mind only reveals itself through the brevity and imperious strength and rudeness of the accent.

For his armies and the common run of men, he has his proclamations and bulletins, that is to say, sonorous phrases composed for effect, a statement of facts purposely simplified and falsified,[1165] in short, an excellent effervescent wine, good for exciting enthusiasm, and an equally excellent narcotic for maintaining credulity,[1166] a sort of popular mixture to be distributed just at the proper time, and whose ingredients are so well proportioned that the public drinks it with delight, and becomes at once intoxicated .-- His style on every occasion, whether affected or spontaneous, shows his wonderful knowledge of the masses and of individuals; except in two or three cases, on one exalted domain, of which he always remains ignorant, he has ever hit the mark, applying the appropriate lever, giving just the push, weight, and degree of impulsion which best accomplishes his purpose.


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