A programme of promotion once exhibiting, and on which are still seen, common soldiers, peasants, a shepherd, a barbarian, the son of a cultivator (colon), the grandson of a slave, mounting gradually upward to the highest dignities, becoming patrician, Count, Duke, commander of the cavalry, Caesar, Augustus, and donning the imperial purple, enthroned amid the most sumptuous magnificence and the most elaborate ceremonial prostrations, a being called God during his lifetime, and after death adored as a divinity, and dead or alive, a complete divinity on earth.[2336] So colossal an edifice, so admirably adjusted, so mathematical, could not wholly perish; its hewn stones were too massive, too nicely squared; too exactly fitted, and the demolisher's hammer could not reach down to its deepest foundations .-- This one, through its shaping and its structure, through its history and its duration, resembles the stone edifices which the same people at the same epoch elevated on the same soil, the aqueducts, amphitheatres, and triumphal arches, the Coliseum, the baths of Diocletian and of Caracalla.
The medieval man, using their intact foundations and their shattered fragments, built here and there, haphazard, according to the necessities of the moment, planting his Gothic towers between Corinthian columns against the panels of walls still standing.[2337] But, under his incoherent masonry, he observed the beautiful forms, the precious marbles, the architectural combinations, the symmetrical taste of an anterior and superior art; he felt that his own work was rude.

The new world, to all thinking minds, was miserable compared with the old one; its languages seemed a patois (crude dialect), its literature mere stammering or driveling, its law a mass of abuses or a mere routine, its feudality anarchy, and its social arrangements, disorder .-- In vain had the medieval man striven to escape through all issues, by the temporal road and by the spiritual road, by the universal and absolute monarchy of the German Cesars, and by the universal and absolute monarchy of the Roman pontiffs.

At the end of the fifteenth century the Emperor still possessed the golden globe, the golden crown, the scepter of Charlemagne and of Otho the Great, but, after the death of Frederick II., he was nothing more than a majesty for show; the Pope still wore the tiara, still held the pastoral staff and the keys of Gregory VII.

and of Innocent III., but, after the death of Boniface VIII., he was nothing more than a majesty of the Church.

Both abortive restorations had merely added ruins to ruins, while the phantom of the ancient empire alone remained erect amid so many fragments.