[The Origins of Contemporary France Volume 4 (of 6) by Hippolyte A. Taine]@TWC D-Link bookThe Origins of Contemporary France Volume 4 (of 6) CHAPTER III 16/137
He, "with greater haughtiness and distraction than the most unapproachable Minister of War would show to an infantry lieutenant," scarcely listens to him and walks on; he goes in and takes his seat, and Morellet, much against his will, has to be present at ten or twelve of these meetings. What strange meetings, to which patriotic deputations, volunteers and amateurs come in turn to declaim and sing; where the president, Lubin, "decorated with his scarf," shouts the Marseilles Hymn five or six times, "Ca Ira," and other songs of several stanzas, set to tunes of the Comic Opera, and always "out of time, displaying the voice, airs and songs of an exquisite Leander..
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I really believe that, at the last meeting, he sung alone in this manner three quarters of an hour at different times, the assembly repeating the last line of the verse."-- "How odd!" exclaims a common woman alongside of Morellet, "how droll, passing all their time here, singing in that fashion! Is that what they come here for ?"--Not alone for that: after the circus-parade is over, the ordinary haranguers, and especially the hair-dresser, come and propose measures for murder "in infuriate language and with fiery gesticulation." Such are the good speakers[3349] and men for show.
The others, who remain silent, and hardly know to write, act and do the rough work.
A certain Chalaudon, member of the Commune,[3350] is one of this kind, president of the Revolutionary Committee of the section of "L'Homme arme," and probably an excellent man-hunter; for "the government committees assigned to him the duty of watching the right bank of the Seine, and, with extraordinary powers conferred on him, he rules from his back shop one half of Paris.
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