For six months, then, Emma, at fifteen years of age, made her hands dirty with books from old lending libraries.
Through Walter Scott, later on, she fell in love with historical events, dreamed of old chests, guard-rooms and minstrels.

She would have liked to live in some old manor-house, like those long-waisted chatelaines who, in the shade of pointed arches, spent their days leaning on the stone, chin in hand, watching a cavalier with white plume galloping on his black horse from the distant fields.

At this time she had a cult for Mary Stuart and enthusiastic veneration for illustrious or unhappy women.

Joan of Arc, Heloise, Agnes Sorel, the beautiful Ferroniere, and Clemence Isaure stood out to her like comets in the dark immensity of heaven, where also were seen, lost in shadow, and all unconnected, St.
Louis with his oak, the dying Bayard, some cruelties of Louis XI, a little of St.Bartholomew's Day, the plume of the Bearnais, and always the remembrance of the plates painted in honour of Louis XIV.
In the music class, in the ballads she sang, there was nothing but little angels with golden wings, madonnas, lagunes, gondoliers;-mild compositions that allowed her to catch a glimpse athwart the obscurity of style and the weakness of the music of the attractive phantasmagoria of sentimental realities.

Some of her companions brought "keepsakes" given them as new year's gifts to the convent.