She loved the sea only for the sake of its storms, and the green fields only when broken up by ruins.
She wanted to get some personal profit out of things, and she rejected as useless all that did not contribute to the immediate desires of her heart, being of a temperament more sentimental than artistic, looking for emotions, not landscapes.
At the convent there was an old maid who came for a week each month to mend the linen.

Patronized by the clergy, because she belonged to an ancient family of noblemen ruined by the Revolution, she dined in the refectory at the table of the good sisters, and after the meal had a bit of chat with them before going back to her work.

The girls often slipped out from the study to go and see her.

She knew by heart the love songs of the last century, and sang them in a low voice as she stitched away.
She told stories, gave them news, went errands in the town, and on the sly lent the big girls some novel, that she always carried in the pockets of her apron, and of which the good lady herself swallowed long chapters in the intervals of her work.

They were all love, lovers, sweethearts, persecuted ladies fainting in lonely pavilions, postilions killed at every stage, horses ridden to death on every page, sombre forests, heartaches, vows, sobs, tears and kisses, little skiffs by moonlight, nightingales in shady groves, "gentlemen" brave as lions, gentle as lambs, virtuous as no one ever was, always well dressed, and weeping like fountains.