The Phoenician bevelling is of this latter kind, and is generally accompanied by an artificial roughening of the surface inside the bevel, which offers a strong contrast to the smooth and even surface of the bevel itself.[611] The style is highly ornamental and effective, particularly where a large space of wall has to be presented to the eye, unbroken by door or window.[612] Occasionally, but very rarely, and only (so far as appears) in their remoter dependencies, the Phoenicians constructed their buildings in the rude and irregular way, which has been called Cyclopian, employing unhewn polygonal blocks of various sizes, and fitting them roughly together.

The temples discovered in Malta and Gozzo have masonry of this description.[613] A peculiarity in Phoenician architecture, connected with the preference for enormous blocks over stones of a moderate size, is the frequent combination in a single mass of distinct architectural members; for instance, of the shaft and capital of pillars, of entire pediments with a portion of the wall below them, and of the walls of monuments with the cornice and architrave.

M.Renan has made some strong remarks on this idiosyncrasy.

"In the Grecian style," he says, "the beauty of the wall is a main object with the architect, and the wall derives its beauty from the divisions between the stones, which observe symmetrical laws, and are in agreement with the general lines of the edifice.

In a style of this kind the stones of a wall have, all of them, the same dimension, and this dimension is determined by the general plan of the building; or else, as in the kind of work which is called 'pseud-isodomic,' the very irregularity of the courses is governed by a law of symmetry.