Various other vessels in silver, of a small size,[1257] as basins and bowls beautifully chased, tiny jugs, alabasti, ladles, &c., had also the appearance of belonging rather to the toilet table than to the plate-basket.

Some of the alabasti would contain _kohl_ or _stibium_, some salves and ointments, others perhaps perfumed washes for the complexion.

Among the bronze objects found,[1258] some may have been merely ornaments, others stands for rings, bracelets, and the like.

One terra-cotta vase from Dali seems made for holding pigments,[1259] and raises the suspicion that Phoenician, or at any rate Cyprian, beauties were not above heightening their charms by the application of paint.
Women in Phoenicia seem to have enjoyed considerable freedom.

They are represented as banqueting in the company of men, sometimes sitting with them on the same couch, sometimes reclining with them at the same table.[1260] Occasionally they delight their male companion by playing upon the lyre or the double pipe,[1261] while in certain instances they are associated in bands of three, who perform on the lyre, the double pipe, and the tambourine.[1262] They take part in religious processions, and present offerings to the deities.[1263] The positions occupied in history by Jezebel and Dido fall in with these indications, and imply a greater approach to equality between the sexes in Phoenicia than in Oriental communities generally.
The men were, for Orientals, unusually hardy and active.