[The Marble Faun Volume II. by Nathaniel Hawthorne]@TWC D-Link bookThe Marble Faun Volume II. CHAPTER XXV 9/16
But the frescos were now very ancient.
They had been rubbed and scrubbed by old Stein and many a predecessor, and had been defaced in one spot, and retouched in another, and had peeled from the wall in patches, and had hidden some of their brightest portions under dreary dust, till the joyousness had quite vanished out of them all.
It was often difficult to puzzle out the design; and even where it was more readily intelligible, the figures showed like the ghosts of dead and buried joys,--the closer their resemblance to the happy past, the gloomier now.
For it is thus, that with only an inconsiderable change, the gladdest objects and existences become the saddest; hope fading into disappointment; joy darkening into grief, and festal splendor into funereal duskiness; and all evolving, as their moral, a grim identity between gay things and sorrowful ones.
Only give them a little time, and they turn out to be just alike! "There has been much festivity in this saloon, if I may judge by the character of its frescos," remarked Kenyon, whose spirits were still upheld by the mild potency of the Monte Beni wine.
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