[The Marble Faun Volume II. by Nathaniel Hawthorne]@TWC D-Link bookThe Marble Faun Volume II. CHAPTER XXXVII 4/15
Let the canvas glow as it may, you must look with the eye of faith, or its highest excellence escapes you. There is always the necessity of helping out the painter's art with your own resources of sensibility and imagination.
Not that these qualities shall really add anything to what the master has effected; but they must be put so entirely under his control, and work along with him to such an extent, that, in a different mood, when you are cold and critical, instead of sympathetic, you will be apt to fancy that the loftier merits of the picture were of your own dreaming, not of his creating. Like all revelations of the better life, the adequate perception of a great work of art demands a gifted simplicity of vision.
In this, and in her self-surrender, and the depth and tenderness of her sympathy, had lain Hilda's remarkable power as a copyist of the old masters.
And now that her capacity of emotion was choked up with a horrible experience, it inevitably followed that she should seek in vain, among those friends so venerated and beloved, for the marvels which they had heretofore shown her.
In spite of a reverence that lingered longer than her recognition, their poor worshipper became almost an infidel, and sometimes doubted whether the pictorial art be not altogether a delusion. For the first time in her life, Hilda now grew acquainted with that icy demon of weariness, who haunts great picture galleries.
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