[The Marble Faun Volume II. by Nathaniel Hawthorne]@TWC D-Link bookThe Marble Faun Volume II. CHAPTER XXXIV 5/8
The whole was a vast, black-letter page of the richest and quaintest poetry.
In fit keeping with all this old magnificence was a great marble fountain, where again the Gothic imagination showed its overflow and gratuity of device in the manifold sculptures which it lavished as freely as the water did its shifting shapes. Besides the two venerable structures which we have described, there were lofty palaces, perhaps of as old a date, rising story above Story, and adorned with balconies, whence, hundreds of years ago, the princely occupants had been accustomed to gaze down at the sports, business, and popular assemblages of the piazza.
And, beyond all question, they thus witnessed the erection of a bronze statue, which, three centuries since, was placed on the pedestal that it still occupies. "I never come to Perugia," said Kenyon, "without spending as much time as I can spare in studying yonder statue of Pope Julius the Third.
Those sculptors of the Middle Age have fitter lessons for the professors of my art than we can find in the Grecian masterpieces.
They belong to our Christian civilization; and, being earnest works, they always express something which we do not get from the antique.
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