[The Marble Faun<br> Volume I. by Nathaniel Hawthorne]@TWC D-Link book
The Marble Faun
Volume I.

CHAPTER III
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This was the case even in respect to Kenyon and Hilda, her especial friends.

But such was the effect of Miriam's natural language, her generosity, kindliness, and native truth of character, that these two received her as a dear friend into their hearts, taking her good qualities as evident and genuine, and never imagining that what was hidden must be therefore evil.
We now proceed with our narrative.
The same party of friends, whom we have seen at the sculpture-gallery of the Capitol, chanced to have gone together, some months before, to the catacomb of St.Calixtus.They went joyously down into that vast tomb, and wandered by torchlight through a sort of dream, in which reminiscences of church aisles and grimy cellars--and chiefly the latter--seemed to be broken into fragments, and hopelessly intermingled.
The intricate passages along which they followed their guide had been hewn, in some forgotten age, out of a dark-red, crumbly stone.

On either side were horizontal niches, where, if they held their torches closely, the shape of a human body was discernible in white ashes, into which the entire mortality of a man or woman had resolved itself.

Among all this extinct dust, there might perchance be a thigh-bone, which crumbled at a touch; or possibly a skull, grinning at its own wretched plight, as is the ugly and empty habit of the thing.
Sometimes their gloomy pathway tended upward, so that, through a crevice, a little daylight glimmered down upon them, or even a streak of sunshine peeped into a burial niche; then again, they went downward by gradual descent, or by abrupt, rudely hewn steps, into deeper and deeper recesses of the earth.

Here and there the narrow and tortuous passages widened somewhat, developing themselves into small chapels;--which once, no doubt, had been adorned with marble-work and lighted with ever-burning lamps and tapers.


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