[The Marble Faun Volume I. by Nathaniel Hawthorne]@TWC D-Link bookThe Marble Faun Volume I. CHAPTER XVI 3/14
But she kept near Miriam, and seemed, in her gentle and quiet way, to decline a separate alliance either with him or any other of her acquaintances. So they set forth, and had gone but a little way, when the narrow street emerged into a piazza, on one side of which, glistening and dimpling in the moonlight, was the most famous fountain in Rome.
Its murmur--not to say its uproar--had been in the ears of the company, ever since they came into the open air.
It was the Fountain of Trevi, which draws its precious water from a source far beyond the walls, whence it flows hitherward through old subterranean aqueducts, and sparkles forth as pure as the virgin who first led Agrippa to its well-spring, by her father's door. "I shall sip as much of this water as the hollow of my hand will hold," said Miriam. "I am leaving Rome in a few days; and the tradition goes, that a parting draught at the Fountain of Trevi insures the traveller's return, whatever obstacles and improbabilities may seem to beset him.
Will you drink, Donatello ?" "Signorina, what you drink, I drink," said the youth. They and the rest of the party descended some steps to the water's brim, and, after a sip or two, stood gazing at the absurd design of the fountain, where some sculptor of Bernini's school had gone absolutely mad in marble.
It was a great palace front, with niches and many bas-reliefs, out of which looked Agrippa's legendary virgin, and several of the allegoric sisterhood; while, at the base, appeared Neptune, with his floundering steeds, and Tritons blowing their horns about him, and twenty other artificial fantasies, which the calm moonlight soothed into better taste than was native to them. And, after all, it was as magnificent a piece of work as ever human skill contrived.
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