[The Marble Faun<br> Volume I. by Nathaniel Hawthorne]@TWC D-Link book
The Marble Faun
Volume I.

CHAPTER XV
8/15

Such men, on the strength of some small knack in handling clay, which might have been fitly employed in making wax-work, are bold to call themselves sculptors.

How terrible should be the thought that the nude woman whom the modern artist patches together, bit by bit, from a dozen heterogeneous models, meaning nothing by her, shall last as long as the Venus of the Capitol!--that his group of--no matter what, since it has no moral or intellectual existence will not physically crumble any sooner than the immortal agony of the Laocoon! Yet we love the artists, in every kind; even these, whose merits we are not quite able to appreciate.

Sculptors, painters, crayon sketchers, or whatever branch of aesthetics they adopted, were certainly pleasanter people, as we saw them that evening, than the average whom we meet in ordinary society.

They were not wholly confined within the sordid compass of practical life; they had a pursuit which, if followed faithfully out, would lead them to the beautiful, and always had a tendency thitherward, even if they lingered to gather up golden dross by the wayside.

Their actual business (though they talked about it very much as other men talk of cotton, politics, flour barrels, and sugar) necessarily illuminated their conversation with something akin to the ideal.


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