[The Marble Faun<br> Volume I. by Nathaniel Hawthorne]@TWC D-Link book
The Marble Faun
Volume I.

CHAPTER XV
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But, whatever criticism may be ventured on his style, it was good to meet a man so modest and yet imbued with such thorough and simple conviction of his own right principles and practice, and so quietly satisfied that his kind of antique achievement was all that sculpture could effect for modern life.
This eminent person's weight and authority among his artistic brethren were very evident; for beginning unobtrusively to utter himself on a topic of art, he was soon the centre of a little crowd of younger sculptors.

They drank in his wisdom, as if it would serve all the purposes of original inspiration; he, meanwhile, discoursing with gentle calmness, as if there could possibly be no other side, and often ratifying, as it were, his own conclusions by a mildly emphatic "Yes." The veteran Sculptor's unsought audience was composed mostly of our own countrymen.

It is fair to say, that they were a body of very dexterous and capable artists, each of whom had probably given the delighted public a nude statue, or had won credit for even higher skill by the nice carving of buttonholes, shoe-ties, coat-seams, shirt-bosoms, and other such graceful peculiarities of modern costume.

Smart, practical men they doubtless were, and some of them far more than this, but still not precisely what an uninitiated person looks for in a sculptor.

A sculptor, indeed, to meet the demands which our preconceptions make upon him, should be even more indispensably a poet than those who deal in measured verse and rhyme.


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