[The Marble Faun Volume I. by Nathaniel Hawthorne]@TWC D-Link bookThe Marble Faun Volume I. CHAPTER XIII 10/13
"Come, show me something else." "Do you recognize this ?" asked the sculptor. He took out of his desk a little old-fashioned ivory coffer, yellow with age; it was richly carved with antique figures and foliage; and had Kenyon thought fit to say that Benvenuto Cellini wrought this precious box, the skill and elaborate fancy of the work would by no means have discredited his word, nor the old artist's fame.
At least, it was evidently a production of Benvenuto's school and century, and might once have been the jewel-case of some grand lady at the court of the De' Medici. Lifting the lid, however, no blaze of diamonds was disclosed, but only, lapped in fleecy cotton, a small, beautifully shaped hand, most delicately sculptured in marble.
Such loving care and nicest art had been lavished here, that the palm really seemed to have a tenderness in its very substance.
Touching those lovely fingers,--had the jealous sculptor allowed you to touch,--you could hardly believe that a virgin warmth would not steal from them into your heart. "Ah, this is very beautiful!" exclaimed Miriam, with a genial smile. "It is as good in its way as Loulie's hand with its baby-dimples, which Powers showed me at Florence, evidently valuing it as much as if he had wrought it out of a piece of his great heart.
As good as Harriet Hosmer's clasped hands of Browning and his wife, symbolizing the individuality and heroic union of two high, poetic lives! Nay, I do not question that it is better than either of those, because you must have wrought it passionately, in spite of its maiden palm and dainty fingertips." "Then you do recognize it ?" asked Kenyon. "There is but one right hand on earth that could have supplied the model," answered Miriam; "so small and slender, so perfectly symmetrical, and yet with a character of delicate energy.
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