Here is a passage in point:--"Truly who or what kind of person was author of this sweet, must-like work, I know no more than he who is most ignorant, nor, since he himself would conceal his name, do I think fit to enquire so far, lest I get his displeasure." Again--"To pick out the roses from the most thorny bushes of writings, and to make the elixir of philosophers by his own industry, without any tutor, and at twenty-three years of age, this perchance hath been granted to none, or to most few hitherto." Langius, moreover, laments explicitly the fact that he did not print from an original MS.

He printed from a Latin translation, the work of an unknown hand, which had come into his possession, as he tells us, from a man who was learned in such matters.

Miss Vaughan's pretended autograph, with its despicable marginal readings, is obviously a Latin copy, whatever be its history otherwise.

The original was in English, and when Langius was regretting its loss, "a transcript, probably written from the author's copy, or very little corrupted," was in possession of the bookseller William Cooper, of Little Saint Bartholomews, near Little Britain, in the city of London, who published it in the year 1669, to correct the imperfections in the edition of Amsterdam.

This transcript also establishes that the "Open Entrance" was penned when the author was in his twenty-third year.
As a matter of fact, Philalethes does not appear to have superintended the publication of any of his writings, and here Miss Vaughan again exhibits her unpardonable ignorance concerning the works with which she is dealing.