Mere grammatical stylistic skin-deep work: nothing (or, at least, in these Specimens nothing) of attempt upon the interior structure, or the interior harmony even of utterance: solely the Parisian niceties, graces, laws of poetic language, the FAS and the NEFAS in regard to all that: this is what his Majesty would fain be taught from the fountain-head;--one wonders his Majesty did not learn to spell, which might have been got from a lower source!--And all this Voltaire does teach with great strictness.

For example, in the very first line, in the very first word, set, before him:-- "PRUSSIENS, QUE LA VALEUR CONDUISIT A LA GLOIRE," so Friedrich had written (ODE AUX PRUSSIENS, which is specimen First); and thus Voltaire criticises: "The Hero here makes his PRUSSIENS of two syllables; and afterwards, in another strophe, he grants them three.

A King is master of his favors.

At the same time, one does require a little uniformity; and the IENS are usually of two syllables, as LIENS, SILESIENS, AUTRICHIENS; excepting the monosyllables BIEN, RIEN"-- Enough, enough!--A severe, punctual, painstaking Voltaire, sitting with the schoolmaster's bonnet on head; ferula visible, if not actually in hand.

For which, as appears, his Majesty was very grateful to the Trismegistus of men.
Voltaire's flatteries to Friedrich, in those scattered little Billets with their snatches of verse, are the prettiest in the world,--and approach very near to sincerity, though seldom quite attaining it.
Something traceable of false, of suspicious, feline, nearly always, in those seductive warblings; which otherwise are the most melodious bits of idle ingenuity the human brain has ever spun from itself.