1736-1796), whose mother was an actress, just as in Shakespeare's time the parts for women were always taken by young men or boys.

When once this is settled, it only remains to enrol him as tragedian, comedian, low-comedy actor, walking gentleman or lady, and similar parts, according to his capabilities.
It is not too much to say that women are very little missed on the Chinese stage.

The make-up of the actor is so perfect, and his imitation of the feminine voice and manner, down to the smallest detail, even to the small feet, is so exact in every point, that he would be a clever observer who could positively detect impersonation by a man.
Generally speaking, a Chinese actor has many more difficulties to face than his colleague in the West.

In addition to the expression of all shades of feeling, from mirth to melancholy, the former has to keep up a perpetual make-believe in another sense, which is further great strain upon his nerves.

There being no scenery, no furniture, and no appointments of any except the slenderest kind upon the stage, he has to create in the minds of his audience a belief that all these missing accessories are nevertheless before their eyes.