Whenever such features are discovered the children try to account for them.

In these attempts they display much ingenuity and intelligence, and are led on by Egeria in the direction of the true explanation of each phenomenon, and the relation of this to what they know of the object as a whole, and of its meaning and function.

The eagerness of the children to volunteer explanations of the facts that they observe is only equalled by the intelligence with which they grasp the general bearing of the problems that confront them, and the resourcefulness and quickness of wit with which they make repeated attempts to solve them.
And these are not the only qualities to which the Nature lesson gives free play.

It is interesting to note that as on the one hand the inquisitive instinct is obviously near of kin to the communicative, so on the other hand it is ever tending to link itself to the artistic.

The closeness of observation which is the basis of success in Nature-study, and by means of which the inquisitive instinct is fed and strengthened, is also the basis of success in drawing; and in each case it leads beyond itself into a region in which it has to be supplemented by, and even transfigured into, imagination, the faculty by means of which we observe what is at once impalpable and real.[19] And in that region the distinction between truth and beauty is ever tending to efface itself.