A long series of scriptural histories, from the scene in Eden, upwards, are represented on this wonderful facade; besides much which has not yet been explained.

Its original construction has been attributed to Constantine, whose equestrian statue once figured above one of the portals.
St.Hilaire, St.Martin, and all the saints in the calendar, still fill their niches, more or less defaced; row after row, sitting and standing, decorate the whole surface, in compartments; choirs of angels, troops of cherubims, surround sacred figures of larger size; and when it is recollected that all this was once covered with gilding and colours, it is difficult to imagine anything more splendid and imposing than it must have been.
The interior suffered dreadfully from the zeal of the Protestants, who destroyed tombs and altars without mercy.

One group--the Entombment of Christ--common in most churches, is remarkable for the details of costume it presents, and the excellence of its execution.

It belonged formerly to the abbey of the Trinity, and has been transferred to Notre Dame.

The date seems to be about the end of the fifteenth century; the figures are of the natural size, and the original colouring still remains; the anatomical developments are faithful to exaggeration, and the finish of every part is admirable.
Some of the female heads are charming, with their costly ornaments, hoods, and embroidered veils; and the male figures, with the strange hats of the period, like that worn by Louis XI., have a singularly battered and torn effect, in spite of the smart fringed handkerchiefs bound round them, with ends hanging down and pieces of plate armour depending from their sides.
Several of the adornments of the altars are those formerly belonging to the church of the Carmelites, now the chapel of the _grand seminaire_.
Above the crucifix which surmounts the tabernacle, is attached to the roof a bunch of keys: these are, according to tradition, the same miraculous keys taken from the traitor who proposed to deliver them to the English.