[Barn and the Pyrenees by Louisa Stuart Costello]@TWC D-Link bookBarn and the Pyrenees CHAPTER XVII 7/24
We have often met with similar demonstrations of kind feeling from the peasantry in France; who, when not spoilt by the town and trade, are generally amiable, and anxious to oblige on all occasions. Nothing could be more lovely than the extensive view before us from this spot; hills covered with vines and rich foliage, fields of Indian corn, bright meadows and banks of glowing flowers, with the river winding through all, wide and bright; the town, picturesque in the distance, undulating hills, and a clear blue sky.
At the end of a large field, we came to a pretty bower, formed of vines, on the edge of the wooded declivity; probably used as a retreat by the master and his family, in the time of the vintage; it looked quite Italian, and we were not sorry to shelter there from the hot sun. Half-way down from the telegraph hill is a cavern called the Hermitage, which once was the retreat of a holy anchorite; but, being now chosen as a place for fetes, has become a sort of cockney spot, and has lost its character of solemnity; but it is the great object of attraction to the inhabitants of Agen, who flock there in crowds on saints'-days and Sundays. We had made an appointment, on our return from wandering amongst the heights, to pay a visit to a very remarkable personage, who is held, both in Agen and throughout Gascony, to be the greatest poet of modern times.
We had heard much of him before we arrived, and a friend of mine had given me some lines of his with the music, in England; one song I published in a recent work;[18] but I was not then aware of the history of the author, of whom the ballad "Mi cal mouri!" was one of the earliest compositions, and that which first tended to make him popular. My friend, who possesses very delicate taste and discrimination, was much struck with the grace and beauty of this song; though the reputation of its author has reached its height since the time when she first met with his melody. [Footnote 18: "Pilgrimage to Auvergne," chap, xiii, p.
210.] At the entrance of the promenade, Du Gravier, is a row of small houses--some _cafes_, others shops, the indication of which is a painted cloth placed across the way, with the owner's name in bright gold letters, in the manner of the arcades in the streets, and their announcements.
One of the most glaring of these was, we observed, a bright blue flag, bordered with gold; on which, in large gold letters, appeared the name of "Jasmin, Coiffeur." We entered, and were welcomed by a smiling dark-eyed woman, who informed us that her husband was busy at that moment _dressing a customer's hair_, but he was desirous to receive us, and begged we would walk into his parlour at the back of the shop.
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