[Barn and the Pyrenees by Louisa Stuart Costello]@TWC D-Link book
Barn and the Pyrenees

CHAPTER XIII
2/15

After looking at this magnificent arch a little while, you begin to imagine it, in the glare of day, as perfect as it appeared when the moon-beams played above, and showed it in such perfection; and all the modern buildings round, look like houses built of dominos compared to its gigantic form.

It is as if an old Roman were standing at the entrance of the town, silent, stern, and proud, and gazing with contempt on the ephemeral creatures of an age he knew nothing of, and who were unworthy to pass him by.
Everything about this singular monument is mysterious: it seems difficult to determine how it came in its present position, for the bridge on which it stands is of considerably later date than itself, although that is of Gothic construction.

It would appear that, at the time it was built, the waters of the Charente did not run in that direction, and having changed their course, the bridge was built from necessity, and joined the arch which existed long before: but then it must always have stood as high above the bed of the river as it does now, which puzzles one again.

It is true that traces are still to be found of the ancient bed of a river, and, in a house in the Faubourg des Dames, an arch, called by tradition _Le Pont-Amillon_, has been discovered.
The date of the monument is given as the year 774 of Rome, and 21 A.D.
It has two circular arches, supported by Corinthian pillars, and a broad entablature; on which the curious can read an inscription, some of the letters of which, with difficulty, we could decipher.

Above the cornice, is a double range of battlements, which have a most singular appearance, as they do not, by any means, amalgamate with the rest of the building: they are, nevertheless, very boldly constructed, and appear to form part of the original design.


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