[Barn and the Pyrenees by Louisa Stuart Costello]@TWC D-Link book
Barn and the Pyrenees

CHAPTER IX
17/25

We heard that he was a most excellent and indulgent man, very liberal to the poor, and generous to his people; and our hostess assured us, that if he knew of the wretchedness the loss of his turkeys had caused in his gardener's family, it would give him real pain, and he would at once forgive them their debt to him.

Perhaps the knowledge of his kindness might be one reason of his servant's vexation; but though that feeling was honourable to him, we could not forgive him for his severity to his poor, silly terrified little wife.
As we returned by another, and a very pretty way, we met a young girl, to whom our guides, who were zealous in the cause, told the story of her neighbour's illness; she promised to go to her and offer her aid as soon as she could, and expressed her disgust at the cruelty of the husband, whose character, she said, was brutal in the extreme.

While they were talking, I remarked the appearance of the shepherdess, who was certainly one of the most charming specimens of a country Phillis I ever beheld.
Her age might be about eighteen; she was tall, and well made, with a healthy, clear complexion, a good deal bronzed with the sun; teeth as white as pearls, and as even as possible; rather a wide, but very prettily shaped mouth; fine nose; cheeks oval and richly tinted; fine black eyes filbert shaped, and delicately-pencilled eyebrows, perfectly Circassian; a small white forehead, and shining black hair in braids: the expression of her smile was the most simple and innocent imaginable, and the total absence of anything like thought or intellect, made her face a perfect reflection of that of one of her own lambs.

Her costume was extremely picturesque; and her head-dress explained at once the mystery of the cap of Anne Boleyn, of which it was a model, no doubt an unchanged fashion from the time of, and probably long before, Marguerite de Valois.

It was of white, thick, stiff muslin, pinched into the three-cornered shape so becoming to a lovely face, precisely like the Holbein head, but that the living creature was much prettier than the great master usually depicted his princesses.


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