[The Child of Pleasure by Gabriele D’Annunzio]@TWC D-Link bookThe Child of Pleasure CHAPTER VIII 3/6
They are ever on the watch, though not apparently so; never, by any chance, miss a murmured word, the faintest smile, a tremor, a blush, a lightning glance.
At balls or any large gatherings, where there is more probability of imprudence, they are ubiquitous, with ear stretched to catch a fragment of dialogue, and eye keenly on the watch to note a stolen hand-clasp, a tremulous sigh, the nervous pressure of delicate fingers on a partner's shoulder. One such terrible trapper, for example, was Don Filippo del Monte.
But to tell the truth, Elena Muti did not trouble herself overmuch about what society said of her covering her every audacity with the mantle of her beauty, her wealth, and her ancient name; and she went on her way serenely, surrounded by adulation and homage, by reason of a certain good-natured tolerance which is one of the most pleasing qualities of Roman society, amounting almost to an article of faith. In any case, Andrea's connection with the Duchess of Scerni had instantly raised him enormously in the estimation of the women.
An atmosphere of favour surrounded him and his successes became astonishing.
Moreover, he owed something to his reputation as a mysterious artist, and two sonnets which he wrote in the Princess di Ferentino's album became famous, in which, as in an ambiguous diptych, he lauded in turn a diabolical and an angelic mouth--the one that destroys souls and the other that sings 'Ave!' He responded, without a moment's hesitation, to every advance.
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