[Some Forerunners of Italian Opera by William James Henderson]@TWC D-Link book
Some Forerunners of Italian Opera

CHAPTER III
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The ducal palace, begun in 1302, contains five hundred rooms in many of which are paintings by Romano.
The Palazzo Te is regarded by most authorities as Giulio's noblest monument, displaying, as it does, his skill as an architect, painter and sculptor.

The Cathedral of San Pietro was restored from his designs and in the Church of San Andrea, in a tomb adorned by his pupils, sleeps the great Mantegna.
The history of music at the court of Mantua begins at least as early as the fourteenth century.

Vander Straeten[6] found some record of a musician of the Gallo-Belgic school called Jean le Chartreux, or by the Italians Giovanni di Namur.

He was the author of a "Libellus Musicus," preserved in the British Museum.

He was born at Namur, learned singing, and according to Vander Straeten, studied the works of Boethius under Vittorino da Feltre in Italy.


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