The glass in the east window was in squares of the tint and consistency of "bottle glass," except where one fragment of what is technically known as "ruby" bore witness that there had once been a stained window there.

There were dirty calico blinds to do duty for stained glass in moderating the light; dirt, long gathered, had blunted the sharpness of the tracery on the old carved stalls in the chancel, where the wood-worms of several generations had eaten fresh patterns of their own, and the squat, solemn little carved figures seemed to moulder under one's eyes.

In the body of the church were high pews painted white, and four or five old tombs with life-size recumbent figures fitted in oddly with these, and a skimpy looking prayer-desk, pulpit, and font, which were squeezed together between the half-rotten screen and a stone knight in armour.
"Pretty tidy," said our churchwarden, tapping of the pews with a patronising finger; "but bless and save us, Mr.Andrewes, sir, the walls be disgraceful dirty, and ten shillings' worth of lime and labour would make 'em as white as the driven snow.

The sexton says there be a rate, and if so, why don't they whitewash and paint a bit, and get rid of them rotten old seats, and make things a bit decent?
You don't find a many places to beat Dacrefield, sir, go as far as you will," he added complacently, and with an air of having exhausted experience in the matter of country churches.
"Them old figures," he went on, "they puts me in mind of one my father used to tell us about, that was in Dacrefield Church.

A man with a kind of cap on his face, and his feet crossed, and very pointed toes, and a sword by his side." "At Dacrefield ?" cried Mr.Andrewes; "surely there isn't a Templar at Dacrefield ?" "It were in the old church that came down," continued the churchwarden, "in the old Squire's time.