But deducting what we please from such utterances on the score of affectation, the picture of Pope amusing himself with his grotto and his plantations, directing old John Searle, his gardener, and conversing with the friends whom he compliments so gracefully, is, perhaps, the pleasantest in his history.
He was far too restless and too keenly interested in society and literature to resign himself permanently to any such retreat.
Pope's constitutional irritability kept him constantly on the wing.
Though little interested in politics, he liked to be on the edge of any political commotion.

He appeared in London on the death of Queen Caroline, in 1737; and Bathurst remarked that "he was as sure to be there in a bustle as a porpoise in a storm." "Our friend Pope," said Jervas not long before, "is off and on, here and there, everywhere and nowhere, _a son ordinaire_, and, therefore as well as we can hope for a carcase so crazy." The Twickenham villa, though nominally dedicated to repose, became of course a centre of attraction for the interviewers of the day.

The opening lines of the Prologue to the Satires give a vivacious description of the crowds of authors who rushed to "Twitnam," to obtain his patronage or countenance, in a day when editors were not the natural scapegoats of such aspirants.
What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide; By land, by water, they renew the charge; They stop the chariot and they board the barge: No place is sacred, not the church is free, E'en Sunday shines no Sabbath-day to me.
And even at an earlier period he occasionally retreated from the bustle to find time for his Homer.

Lord Harcourt, the Chancellor in the last years of Queen Anne, allowed him to take up his residence in his old house of Stanton Harcourt, in Oxfordshire.

He inscribed on a pane of glass in an upper room, "In the year 1718 Alexander Pope finished here the fifth volume of Homer." In his earlier days he was often rambling about on horseback.