The result would certainly not be Homer, but it might be a fine epic poem as epic poetry was understood in the days of Anne and George I .-- a hybrid genus, at the best, something without enough constitutional vigour to be valuable when really original, but not without a merit of its own when modelled upon the lines laid down in the great archetype.

When we look at Pope's Iliad upon this understanding, we cannot fail, I think, to admit that it has merits which makes its great success intelligible.

If we read it as a purely English poem, the sustained vivacity and emphasis of the style give it a decisive superiority over its rivals.

It has become the fashion to quote Chapman since the noble sonnet in which Keats, in testifying to the power of the Elizabethan translator, testifies rather to his own exquisite perception.

Chapman was a poet worthy of our great poetic period, and Pope himself testifies to the "daring fiery spirit" which animates his translation, and says that it is not unlike what Homer himself might have written in his youth--surely not a grudging praise.