The humanists of the Renaissance display no great interest in her: she was too Gothic for them.

The Reformers, for whom she was tainted with idolatry, could not tolerate her picture.[108] It seems strange to us to-day, but it is none the less certain, and in conformity with all we know of French feeling for royalty, that whilst the monarchy endured it was the memory of Charles VII that kept alive the memory of Jeanne d'Arc and saved her from oblivion.[109] Respect due to the Prince generally hindered his faithful subjects from too closely inquiring into the legends of Jeanne as well as into those of the Holy Ampulla, the cures for King's evil, the _oriflamme_ and all other popular traditions relating to the antiquity and celebrity of the royal throne of France.

In 1609, when in a college of Paris, the Maid was the subject of sundry literary themes in which she was unfavourably treated,[110] a certain lawyer, Jean Hordal, who boasted that he came of the same race as the heroine, complained of these academic disputes as being derogatory to royal majesty--"I am greatly astonished," he said, "that ...

public declamations against the honour of France, of King Charles VII and his Council,[111] should be suffered in France." Had Jeanne not been so closely associated with royalty, her memory would have been very much neglected by the wits of the seventeenth century.

In the minds of scholars, Catholics and Protestants alike, who considered the life of St.Margaret as mere superstition,[112] her apparitions did her harm.