17, No.

2, the first phrase; here, again, the melody runs on (through tones which embellish the cadence-chord, _f-a-c_) to the last 8th-note of the fourth measure.
(3) A certain--entirely optional--number of tones are borrowed from the value of the cadence-chord, as _preliminary tones_ of the following phrase.

An illustration of this has already been seen in Ex.

14, No.

2 and No.3.