12/17 2, the same motive is enlarged by two tones at the outset, which locates its beginning upon the fourth 8th--the second half of the second beat. 3 the motive begins upon an accented beat, but it is the lighter (secondary) accent of the 3d beat. The various conditions of unaccented beginnings in Nos. 4, 5 and 6 are easily recognizable. |