If we imagine the head less turned and looking down towards the crouching figure, conquered by the young genius of beauty and victory, we shall see the grace in the pose of the torso to greater advantage.

We imagine a somewhat similar story for the figure in the Bargello, called the Adonis.

The boar cannot be by Michael Angelo's hand, and, indeed, very little of the figure suggests his grasp of plastic possibilities; the figure cannot have been much more than blocked out by him, and was finished after his death by some artist of the type of Vincenzio Danti..