CHAPTER XV.
"CAP'N COD," SABELLA, AND THE _WHATNOT_.
In order to explain the presence beside that tow-head of the queer craft on board which Winn had found shelter, and of its several occupants, who were making such kindly efforts to relieve his distress, it is necessary to take a twenty-year glance backward.

At that time Aleck Fifield, a Yankee jack-of-all-trades, who had been by turns a school-teacher, sailor, mechanic, boat-builder, and several other things as well, found himself employed as stage-carpenter in a Boston theatre.

He had always been possessed of artistic tastes, though they had never carried him beyond sign-painting, and of dramatic longings, which had thus far been satisfied with a diligent reading of Shakespeare and attending the theatre at every opportunity.

Now, being regularly connected with the stage, both these tastes expanded, until through one of them he blossomed into a very passable scene-painter.
Through the other he overwhelmed himself with despair, and convulsed an audience with laughter, by appearing once, and once only, as Captain Thomas Codringhampton in the popular sea drama of "Blue Billows." His failure as an actor was so dismal and complete as to be notorious.
Unkind comparisons of other bad acting with that of Cap'n Cod became stock jokes in every theatre of the country.

From that day the stage name clung to him; and though it galled at first, the passage of time soothed the wound, until finally Aleck Fifield became proud of the name.