By dint of splashing the water with poles, throwing pebbles, beating the shrubs at the pond's edges, "shooing" frantically with our skirts, crawling beneath bars to head them off, and prodding them from under bushes to urge them on, we finally get the older ones out of the water and the younger ones into some sort of relation to their various retreats; but, owing to their lack of geography, hatred of home, and general recalcitrancy, they none of them turn up in the right place and have to be sorted out.

We uncover the top of the little house, or the enclosure as it may be, or reach in at the door, and, seizing the struggling victim, drag him forth and take him where he should have had the wit to go in the first instance.

The weak ones get in with the strong and are in danger of being trampled; two May goslings that look almost full-grown have run into a house with a brood of ducklings a week old.

There are twenty-seven crowded into one coop, five in another, nineteen in another; the gosling with one leg has to come out, and the duckling threatened with the gapes; their place is with the "invaleeds," as Phoebe calls them, but they never learn the location of the hospital, nor have the slightest scruple about spreading contagious diseases.
{In solitary splendour: p25.jpg} Finally, when we have separated and sorted exhaustively, an operation in which Phoebe shows a delicacy of discrimination and a fearlessness of attack amounting to genius, we count the entire number and find several missing.

Searching for their animate or inanimate bodies, we "scoop" one from under the tool-house, chance upon two more who are being harried and pecked by the big geese in the lower meadow, and discover one sailing by himself in solitary splendour in the middle of the deserted pond, a look of evil triumph in his bead-like eye.