[Resonance in Singing and Speaking by Thomas Fillebrown]@TWC D-Link bookResonance in Singing and Speaking CHAPTER VIII 12/28
Pass from one vowel to the next with the least possible change in the position of the lips and chin.
The stream of sound is to be unbroken, the tone focus unchanged, and the sensation of resonance in the upper chambers continuous. [Music illustration: Hung-ee-oo-oh-aw-ah _etc._] [Music illustration: Hung-ee-oo-oh-aw-ah _etc._] Exercise III UPPER RESONANCE CONTINUED Follow the directions for Exercise I.Sing quietly in a pitch that is easy for the voice, and modulate up or down by half steps. [Music illustration: Hung-ee-oo-oh-aw-ah _etc._] Exercise IV UPPER RESONANCE CONTINUED The last exercise carried the voice an interval of a third; this carries the voice an interval of a fifth.
Follow carefully the directions of Exercise I.Be sure to pronounce _hung_ at once, prolonging the tone not on the vowel but on the _ng_.
_Sing softly._ Vary the pitch to suit the voice. [Music illustration: Hung-ee-oo-oh-aw-ah _etc._] Exercise V UPPER RESONANCE CONTINUED The last exercise carried the voice an interval of a fifth, this one has a range of a sixth, while Exercise VI has a range of an octave. Carefully follow the Important Directions on page 60. _Sing softly_ in a pitch that is easy for the voice. [Music illustration: Hung-ee-oo-oh-aw-ah _etc._] [Music illustration: Hung-ee-oo-oh-aw-ah _etc._] Exercise VI TO ENLARGE THE THROAT AND THUS MAGNIFY THE TONE Pronounce the word _hung_ at once, opening the mouth well.
Prolonging the _ng_ sound as indicated will insure the proper focus. Sing the five vowel sounds throughout the scale as indicated.
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