There are others, again, whose natures are right and their habits wrong, or whose habits are right and their natures wrong, and they praise one thing, but are pleased at another.

For they say that all these imitations are pleasant, but not good.

And in the presence of those whom they think wise, they are ashamed of dancing and singing in the baser manner, or of deliberately lending any countenance to such proceedings; and yet, they have a secret pleasure in them.
CLEINIAS: Very true.
ATHENIAN: And is any harm done to the lover of vicious dances or songs, or any good done to the approver of the opposite sort of pleasure?
CLEINIAS: I think that there is.
ATHENIAN: 'I think' is not the word, but I would say, rather, 'I am certain.' For must they not have the same effect as when a man associates with bad characters, whom he likes and approves rather than dislikes, and only censures playfully because he has a suspicion of his own badness?
In that case, he who takes pleasure in them will surely become like those in whom he takes pleasure, even though he be ashamed to praise them.

And what greater good or evil can any destiny ever make us undergo?
CLEINIAS: I know of none.
ATHENIAN: Then in a city which has good laws, or in future ages is to have them, bearing in mind the instruction and amusement which are given by music, can we suppose that the poets are to be allowed to teach in the dance anything which they themselves like, in the way of rhythm, or melody, or words, to the young children of any well-conditioned parents?
Is the poet to train his choruses as he pleases, without reference to virtue or vice?
CLEINIAS: That is surely quite unreasonable, and is not to be thought of.
ATHENIAN: And yet he may do this in almost any state with the exception of Egypt.
CLEINIAS: And what are the laws about music and dancing in Egypt?
ATHENIAN: You will wonder when I tell you: Long ago they appear to have recognized the very principle of which we are now speaking--that their young citizens must be habituated to forms and strains of virtue.

These they fixed, and exhibited the patterns of them in their temples; and no painter or artist is allowed to innovate upon them, or to leave the traditional forms and invent new ones.