45/46 The phrasing of music is a mere abstract subtlety to the unmusical; it is a direct sense-apprehension to the initiated. For example, if we could imagine some lowly type of organic being thinking and aware of our thoughts, it would wonder at the abstract subtleties in which we indulge as we think of stones and bricks and drops of water and plants. It only knows of vague undifferentiated feelings in nature. It would consider us as given over to the play of excessively abstract intellects. But then if it could think, it would anticipate; and if it anticipated, it would soon perceive for itself. |