Minard, however, got rid of Godeschal by informing Mademoiselle Thuillier that Celeste's sister-in-law would be the famous Mariette of the Opera.
"She came from the stage," said Colleville, alluding to his wife, "and there's no need she should return to it." "Besides, Monsieur Godeschal is too old for Celeste," remarked Brigitte.
"And ought we not," added Madame Thuillier, timidly, "to let her marry according to her own taste, so as to be happy ?" The poor woman had detected in Felix Phellion a true love for Celeste; the love that a woman crushed by Brigitte and wounded by her husband's indifference (for Thuillier cared less for his wife than he did for a servant) had dreamed that love might be,--bold in heart, timid externally, sure of itself, reserved, hidden from others, but expanding toward heaven.

At twenty-three years of age, Felix Phellion was a gentle, pure-minded young man, like all true scholars who cultivate knowledge for knowledge's sake.

He had been sacredly brought up by his father, who, viewing all things seriously, had given him none but good examples accompanied by trivial maxims.

He was a young man of medium height, with light chestnut hair, gray eyes, and a skin full of freckles; gifted with a charming voice, a tranquil manner; making few gestures; thoughtful, saying little, and that little sensible; contradicting no one, and quite incapable of a sordid thought or a selfish calculation.
"That," thought Madame Thuillier, "is what I should have liked my husband to be." One evening, in the month of February, 1840, the Thuillier salon contained the various personages whose silhouettes we have just traced out, together with some others.

It was nearly the end of the month.
Barbet and Metivier having business with mademoiselle Brigitte, were playing whist with Minard and Phellion.