Let us look at this process of synthesis a little more closely.
When a sensation arises in the mind, it may, under certain circumstances, go unattended to.

In that case there is no perception.
The sensation floats in the dim outer regions of consciousness as a vague feeling, the real nature and history of which are unknown.

This remark applies not only to the undefined bodily sensations that are always oscillating about the threshold of obscure consciousness, but to the higher sensations connected with the special organs of perception.
The student in optics soon makes the startling discovery that his field of vision has all through his life been haunted with weird shapes which have never troubled the serenity of his mind just because they have never been distinctly attended to.
The immediate result of this process of directing the keen glance of attention to a sensation is to give it greater force and distinctness.
By attending to it we discriminate it from other feelings present and past, and classify it with like sensations previously received.

Thus, if I receive a visual impression of the colour orange, the first consequence of attending to it is to mark it off from other colour-impressions, including those of red and yellow.

And in recognizing the peculiar quality of the impression by applying to it the term orange, I obviously connect it with other similar sensations called by the same name.